You know, I have actually rather often wondered how it was that the Galactic Republic’s ultra-competent Clone Troopers, who were all apparently cloned from the same ultra-competent bad-ass bounty hunter, turned into the Galactic Keystone Kops that were the Empire’s Stormtroopers. I guess because the ranks of the Stormtroopers included both leftover clones and regular, non-clone human beings?
Thanks, Dark Horse Comics and The Expanded Universe! You’re always there to make sense of all the inconsistencies of the two sets of trilogies!
I don’t care what the DVD cover says, Denver The Last Dinosaur an I were never anything more than just friends.
Kevin Sherry draws “many different cryptids” from “all around the world” in this two-page spread from his new book The Yeti Files: Meet The Bigfeet.
Taro Gomi was right; everyone does. Even Annihilus!
But Wednesday is New Comic Book Day! it’s the only day of the week I rant and rave!
For all the picture books and all the comics I’ve read, I don’t recall ever seeing a lion with a mustache before I flipped through a copy of David McKee’s Hide-and-Seek Elmer (William Morrow; 1998).
I kind of wish this guy’s uniform/costume was more ice cream-colored, with maybe some white and pink and light blue in it, but I do like that codename.
I don’t know what I find most funny about this guy, 1) that he’s so over-the-top as an anti-environmental villain, 2) that his title but that it refers to something different than what the acronym generally refers to, meaning he would be constantly having to explain, “No, I’m the Chief Environmental Operative for Cobra, not its Chief Executive Officer,” or 3) that the toy people gave this scary-but-goofy looking supervillain character the name of a Hasbro exec.
Another entry from writer Mark Bellomo’s Ultimate Guide To G.I. Joe: 1982-1994, which I found to be a very engaging and enjoyable read, despite not caring about the collectible aspect, and just sort of glossing over all he prices and jargon (No idea what “MOC” or “MLC” mean, for example).
The second paragraph contains the mind-blowing anecdote, that “Hasbro originally wanted them to be little ‘teddy bear’ type creatures akin to the successfully marketed Ewoks” and that writer Larry Hama refused, arguing “We’d better make the Dreadnoks biker thugs.”
First, imagine how awesome and bizarre and completely different the G.I. Joe comics/cartoons/toys would have been if they had made them teddy bears. Second, I love the negotiation implied here; with one party suggesting teddy bears, the other countering with biker thugs.
Finally, one thing I enjoyed about the book, and this might have just been my reading into it, is that Bellomo frequently refers to Hama and Hasbro’s differing opinions on the characters and the line, and there seems to be a tension between the toy people thinking of G.I. Joe in terms of whatever toys they might sell the most of, and Hama trying to keep the line focused on an accurate-ish, realistic-adjacent depiction of the American military of the time period.
The longer you read, the more and more Hama seems to lose the fighting (the toys are insane by 1994), but it’s fun to watch the (again, maybe half-imagined) battle over the line’s integrity.
For example, fairly late in this time period, Hasbro introduced a “Sonic Fighters” line with giant back packs that made battle sounds, and Hama wrote back to them saying he had no idea what a “sonic fighter” even meant, exactly (do they fight with sound? Against sound?), so he just decided to write the character bios “straight,” with no mention of the sonic-ness.
Erich Zann, from H.P. Lovecraft’s short story “The Music of Erich Zann,” tries to warn Sabrina Spellman, from Archie Comics’ Sabrina The Teenage Witch, about Lovecraft’s evil space god-monsters, in a sequence from Afterlife With Archie #6, by Francesco Francavilla and Roberto Aguirre-Sacasa.
I found the second panel particularly interesting, as I used to wonder if Lovecraft had inadvertently invented kaiju like Godzilla in his stories about giant monsters like Cthulhu.
Now I know that Godzilla’s ancestry is more likely directly influenced by previous movie monsters like the Rhedosaurus in 1953’s The Beast From 20,000 Fathoms and the title character in 1933’s King Kong, both of whom were partially inspired by the rampaging Brontosaurus at the end of the 1925 Lost World film (and, in Kong’s case, the ape-man from an earlier scene in the same film).